[There are a lot of spoilers in this review.]
The story is set in post-war Batum, a seaside oil town bordering Turkey in what is now Georgia, just as the communists were taking a strangle hold on power. Simenon does a masterful job of describing Batum as a labyrinth of unpaved roads bordered by unwashed and unremarkable houses that are in various states of disrepair. He describes the residents of Batum as the worst kind of informers telling on their friend to the KGB for a meager addition to their rations. Batum, in Simenon's eyes, is the end of the line kind of city where nobody voluntarily goes to live but for people who have no choice. Simenon paints such a dark and depressing picture of the town that it almost comes alive as a character in the book.
The four characters most involved in the story are Adil Bey, the Turkish Consul; John, a reporter for an American newspaper who ultimately arranges for Adil Bey's and Sonia's escape; Nejla, the Persian Consul's mistress, and for a time Adil Bey's lover; and Sonia Kolin, Adil Bey's secretary and lover.
The story begins with a cocktail party at the Italian Consul's home where Adil Bey, the protagonist, is introduced to the four of the five ex-patriots living in Batum: the Italian Consul and his wife and the Persian Consul and his lover. Adil Bey takes offense with some comments made by the Italian Consul and storms out of the party beginning a period of relative isolation from the other ex-pats. He goes back to his consulate which has been stripped of everything by his predecessor's secretary on his departure and functions as Adil Bey's apartment. You imagine him living in a dark and dusty set of rooms, the equivalent of a contemporary crack house.
Adil Bey is a Victorian style gentleman who is completely unfamiliar with washing his own clothes, putting sheets on the bed, fashioning curtains and buying food: the fundamentals of living. So, he begins this slovenly life of sleeping on the mattress, never changing his clothes, eating whatever food - rotten or not - out of cans, and rarely showering. Simenon repeatedly paints Adil Bey as an anachronism: a man with Victorian mores living in the second half of the twentieth century; a man who fought in Galipoli but doesn't seem to know how to cook his own food; or a man who seems so weak and manages to survive in Batum.
Adil Bey also starts becoming sicker and sicker over time. At first the sickness is not more than a minor inconvenience but then it turns into a bad cough, then into heavy sweating, then into insomnia and then into severe weight gain. This transformation layered on top of everything else really turns Adil Bey into a sad and sickly creature.
In the middle of his collapsing health, Adil Bey falls in love with his secretary, Sonia, and starts a cold almost sterile love affair with her. She comes to see him in the evenings when they make love and then she heads home very early in the morning before the city awakes. While this is going on Adil Bey's health continues to deteriorate until he starts showing symptoms of schizophrenia. He starts walking down the street talking to himself, wandering around the town and the port aimlessly and, most importantly, thinking that everyone is out to get him.
It turns out he is not wrong on the last point. During a fight with Sonia he grabs her purse, rummages through it and discovers that she has been slowly poisoning him with arsenic which is why he has been slowly falling apart. Sonia apologizes and concedes that the communist government had pressed her into doing this and that she truly loves him and he reciprocates the emotion. They make plans to leave town and to smuggle Sonia out of the country on a Belgian freighter that is leaving the next night. But the KGB finds out and kills Sonia and leaves Adil Bey to linger in his own personal hell.




